The Terror Just Off US:1 from Christopher Garetano is a short horror film that harkens back to the early works of George A. Romero.
The Sandlot is much more than a sports movie. It’s about warm childhood memories and the friendships we forge that last a lifetime.
Deathgasm is a fusion of Sam Raimi’s Evil Dead and a black metal concert, a hilariously gooey, gory, cheesy spatter movie masterpiece.
Titane is a combination of David Cronenberg's Crash and Videodrome with an unexpected intense analysis of human relationships.
Alex Cox's Repo Man is a post punk treatise on consumer culture and hypocritical televangelists or is it about the meaning of life?
Jonathan Weidler reviews Matthew Bright's "nasty" classic, Freeway 2: Confessions of a Trickbaby.
Adam Forsgren gives us reasons why Toshiya Fujita's 1973 film, Lady Snowblood is the ultimate in female empowerment cinema. Take note, Hollywood!
Adam Forsgren builds a case for why RoboCop's Clarence Boddicker is one of filmdom's best villains.
Is it possible for a hardcore action film like Shoot 'Em Up to tackle the subject of fatherhood? The answer is “Yes!”
Alex Kahuam's latest horror film, Forgiveness is an unforgettable experience that creates a palpable atmosphere of uncertainty and danger.
What film has the most memorable action scene in Jason Statham's entire career? The Transporter, of course!
John Wick resurrects the bloody poetry of 80s and 90s action films for fans who are craving the bygone days of Stallone and Schwarzenegger.